Go ahead, you can say anything
Or you can say nothing at all
I don’t mind
If we sit in the quiet
I’ll hear the change in your breath
As I start trace your fingertips with mine
Oh I know better than to harbor expectations of where this might be going
Oh I have only one condition if you’re gonna come to me, please
Don’t come clean, don’t come perfect, don’t come shiny and new
I want to see behind the curtain
Show me every speck of dust that makes up the whole of you
Come a little messed up, come broken, cracked wide open
I got a feeling
That’s how the love gets in
Go ahead, when I turn my face to you
You can search my eyes
or close your own
Whenever you’re ready
You will find me here
Unafraid to take things slow
Oh I know better than to give into illusions of what lies beyond this moment
Oh I have only one condition if you’re gonna come to me, please
Don’t come clean, don’t come perfect, don’t come shiny and new
I want to see behind the curtain
Show me every speck of dust that makes up the whole of you
Come a little messed up, come broken, cracked wide open
I got a feeling
That’s how the love gets in
I am messed up, I am broken, a million pieces, wide open
So if you’re gonna come to me. If you’re gonna come to me, please.
Don’t come clean, don’t come perfect, don’t come shiny and new
I want to see behind the curtain
Show me every speck of dust that makes up the whole of you
Come a little messed up, come broken, cracked wide open
I got a feeling
That’s how the love gets in
credits
from All Mine,
released February 21, 2020
Sarah Morris: Vocals, guitars
Haley Rydell: Violin
Co-produced by Sarah Morris & Eric Blomquist
Recorded at RiverRock Studios, NE MPLS, MN
All songs written by Sarah Morris, Aleksi’s Wife Music (SESAC)
Engineered & Mixed by Eric Blomquist
Additional Engineering by Kevin Israel & Thomas Nordlund
Mastered by Amy Marie at Yes Master, Nashville, TN
2018 Kerrville New Folk winner Sarah Morris’ endearingly honest, expertly penned songs deliberately miss the forest for the
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